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Prepared for some excessive velocity sync on location portraits? Let’s get to it. What’s up everybody? My title is Sal Cincotta. At this time, I’m right here with the all the time attractive Marylyn Phan.
Let’s get to it. So if you wish to use off-camera flash out of doors on areas, after all, something over 1/200 of a second goes to kick your digicam and flash into excessive velocity sync. So what does that imply? Principally it’s getting the digicam and flash to work collectively at something that’s above that 1/200 of a second. So let me simply clarify it. Don’t tune out on me. I’m going to interrupt it down in a extremely easy manner. Take into consideration we’re on a freeway and the sunshine is shifting down that freeway at 1/200 of a second. Okay? And that’s the velocity lights getting there. The shutter in your digicam opens and closes at 1/200 of a second. So whenever you click on the shutter, the button, and launch the shutter opens up at 200 miles an hour, the sunshine’s coming in, hits the sensor, makes an publicity, and the remaining is simply all magic working for you.
Effectively, on a shiny day like this, and we wish to {photograph} at F1.2, your shutter velocity goes to kick as much as 1/1,000, 1/2,000 of a second, and that gentle’s solely coming at 200 miles an hour. Shutter goes up at 1/1,600 of a second, 1/2,000 of a second. Mild by no means makes its manner there. And so that is the one analogy I can provide you, hopefully that helps, of getting the 2 to speak collectively. So what finally ends up taking place is thru know-how, your digicam and your flash are working collectively in excessive velocity sync. So now they each know that we’ve got to be sooner than 1/200 of a second, and the strobe begins firing mini bursts to get there sooner, to remain in sync together with your digicam shutter. So hopefully that’s making sense.
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