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So the very first thing we’re going to do is begin with 1:1. And in a 1:1 lighting ratio, you may have two lights or presumably three lights arrange. They’re evenly lit, that means each lights are on the similar energy. I’m going to point out you ways we do it, and I’m going to point out you the outcomes. Why would I ever use this, Sal? In the event you’re telling me even mild isn’t precisely superior or one thing {that a} skilled would do? Nicely, like I mentioned to start with, that’s a little bit little bit of a misnomer.
We use that sort of lighting for magnificence lighting. The minute we begin including shadows, if any person has dangerous pores and skin or wrinkles, it exaggerates it. Why? As a result of we’re creating shadows and drawing consideration to these zits marks, wrinkles, and issues like that. So flat lighting could possibly be used for possibly some magnificence work, possibly some trend work, and possibly some product pictures. However ultimately I feel you’ll agree, let me know within the feedback, that as we begin including dimension it begins feeling like a distinct portrait.
So let’s get to it right here. Every thing I’m utilizing in the present day is down within the feedback. So go in there and also you’ll see these hyperlinks for what I’m utilizing. I’ll simply run it for you actual fast. I’m utilizing two FJ200s, we don’t want rather more than that within the studio. For my key mild, my predominant mild, I’m utilizing an Octabox. Then for our fill, we’re simply utilizing a 1×3 strip field.
Now, I’m going to fireside these and measure every of those lights independently. Keep in mind we’ve bought two lights right here, and we’re going to measure them independently. So I’m controlling it by way of the set off and I’m going to finish up getting each lights at F11. This predominant mild is at F11. Now, we will put this predominant mild to sleep from the set off and activate the fill mild so I can measure them independently. I feel that’s fairly vital to have the ability to do. So now we’re going to measure this secondary mild, which can also be hitting at F11. So now each lights are hitting at F11. This is able to be a one to 1 lighting ratio.
Now I’m going to set my digital camera up for that. I’m hoping you’ll agree that what I simply did isn’t sophisticated. Each lights are set as much as an influence setting of 9, which is giving us F11. Now lights are additive in nature, so this can most likely be F11 and a half and also you simply have to regulate your digital camera for that with each of them. So we’re going to take a check shot right here, and I’m going to show the primary mild again on.
Okay, that’s a stupendous portrait. All proper, so what you’re seeing right here within the portrait is simply straight out of digital camera, even mild, little or no shadow on her face, and delicate shadow beneath her chin. That’s a 1:1, extra of a magnificence mild setup, however now we need to begin including dimension.
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